ECNETNews recently caught up with Scott Eastwood to discuss his role in the highly anticipated heist film, “1992,” set to hit theaters on August 30, 2024. Directed by Ariel Vromen, the film dives into the complexities of father-son relationships against the dramatic backdrop of the 1992 Los Angeles uprising following the Rodney King verdict.
In “1992,” Eastwood portrays Riggin, who, alongside his father played by the late Ray Liotta, navigates a perilous heist to steal catalytic converters amid civil unrest. The film not only examines the personal struggles of both families but also serves as a thrilling crime drama that captures the tension of the era.
ECNETNews: Your character, Riggin, appears to be molded by the turmoil of the L.A. riots. What intrigued you about portraying such a layered character with moral ambiguity?
Scott Eastwood: I think Riggin isn’t merely a villain; he represents a bridge between the contrasting sides of the story. He has a unique perspective, often opposing his crew’s views on what is right or wrong during such chaotic times. It’s this complexity that brings depth to the character and makes for an engaging film. Good storytelling relies on conflict and multi-dimensional characters, and Riggin embodies that.
Much of the film’s tension revolves around your character’s father, portrayed by Ray Liotta. His performance is captivating. How was it working with such a talented actor, especially considering his recent passing?
Working with Ray was truly an unforgettable experience. He was a remarkable actor who consistently delivered powerful performances. His energy and presence on set were extraordinary, making my time with him very special. It’s a tragic loss for the film community, but his talent will always be remembered.
Another standout in the film is Oleg Taktarov, a UFC legend. How was it collaborating with him on set?
Oleg brought a unique energy to the film. He’s not just a tough guy; he has a vibrant personality. I remember a hike we went on in Bulgaria where he sprinted to the top of a mountain, celebrated with a bottle of vodka, and then asked if we wanted to climb it again. He’s a real character, both on-screen and off.
You previously starred in a different style of heist movie with “Overdrive.” What motivated you to take on a more grounded approach in “1992”?
This script is what drew me in. It’s essential for a film to offer something fresh and intriguing. “1992” presents a darker and more realistic take on the heist genre, reminiscent of films like “Den of Thieves” or “The Town.” The combination of a compelling director and a well-crafted narrative made this project too good to resist.
